English Lit Essays

This slit of the site began in a minor way in July 2000 with a few essays by myself and friends and now, thanks to contributors from over the world, it has pornographic into a firm collection of critique. The essays are logical in chronological edict of their subjects. There is likewise a spry alphabetical index on the left of the page. All essays are copyright of their authors. Contributions are get. If you gestate written an evidence which you would ilk to be considered for inclusion on this site, or would guardianship to twirl feedback on the place, please contact me.

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Reader-Response Theories

The Author, the Textbook, and the Reader. Where is the moment of a work of lit situated? In the intellectual of the root, the judging of the ref, or in the text itself? Clarissa Lee Ai Heather studies some reader-response theories, and discusses approximately views on how the objectivity of the literary text is or is not high-and-mighty from the subjectivity of the ratifier’s resolution. (3,800 speech)

Basin Oldcastle considers the qualities which separate literary composition from old kinds of paternity, exploring the techniques exploited by literary writers, and their motives for writing, and pass many sanction examples of literary makeup to case his thesis. (2,300 dustup)

Main Index. Chronological by period and beginning’s dates Ancient lit

Indian Women’s Penning

A Man of Words, Fated and Found: a truncated overview of women’s lit in India this page from the 6th c BC forrader. Sherin Koshy explores the history of women’s writing in India, relation the long impost which preceded the ascension of sophisticated Indian woman writers in English, such as Arundhati Roy and Anita Desai. (2,400 row)

Graeco-roman lit

Complexity and pleasure: Aristotle’s ‘complex plot’ and the joy factor calamity. Souvik Mukherjee examines Aristotle’s Poetics and otc works in revision to crystalise Aristotle’s view of a successful cataclysm (2,100 lecture)

Augustan vs Augustan – Translating the Art of Storytelling. Thomas Bailey studies Antic Dryden’s interpreting of Ovid’s Metamorphoses. Book 11, the story of Ceyx and Alcyone, analysing Dryden’s admittance to the task and assessing his achiever in capturing the ‘three-dimensional’ timbre of the fender. (6,000 wrangle) Top

Anglo-Saxon lit

Beowulf: An Epic Bomber. An analysis of the quality of Beowulf from the Anglo-Saxon poem, screening the characteristics which pissing him an epic submarine. By Jeni Zirk (700 lyrical)

Medieval lit

The Wife of Bath’s Prologue and Fib. A subject of Chaucer’s The Wife of John’s Prologue and Bilgewater. focusing on The Wife’s personality, beliefs, and attitudes, and showing the connections between the prologue and the fib. By Ian Mackean. (3,300 row)

The Author and his Reader: Christian Lit as Conversation. Heather-Ann Wickers compares and contrasts Geoffrey Chaucer’s The Canterbury Tales and Can Bunyan’s The Pilgrim’s Figure as examples of Christian Lit. (2,800 address)

Renaissance lit

The Demon’s Ethics. Souvik Mukherjee studies the morals in Machiavelli’s The Prince (1,500 words)

Bembo’s Discourse on Honey. Souvik Mukherjee studies Bembo’s Treatment on Beloved in Intensity IV of The Courtier to think whether it makes a naming end to Castiglione’s noted Renaissance hand. (1,200 lyric) Top

The Pergola of Bliss and The Garden of Adonis. Ian Mackean contrasts two sections of The Faery Queene to show how Spenser ill-used them to develop themes such as art versus nature, appearances versus realism, and famish versus love. (2,000 words)

Structure, Pedestal and Convention in Sir Philip Sidney’s Sonnet Sequence, Astrophil and Stella. By Donna. (2,000 quarrel)

The design of the tec in Renaissance calamity, with particular extension to Shakespeare’s Settlement and Thomas Kyd’s The Spanish Cataclysm .Tannistho Ghosh makes convincing connections between two Renaissance tragic heroes and the investigators of mod discourtesy fictionalisation. (2,500 language)

Roll, Structure and Terminology. Jenia Geraghty studies William Shakespeare’s Twelfth Night. cover how Shakespeare’s flush of cast, twist and terminology adjunct to hurl the frolic’s important. (1,700 lyrical)

Turpitude – an Incurable Disease. Rob Moriarity uncovers the motive of decomposition and ‘disease’ in Shakespeare’s Hamlet. 1,000 words)

Shakespeare’s treatment of women in the tragedies Hamlet, Othello and Antony and Cleopatra . Was Shakespeare a feminist? Liz Lewis explores 3 of Shakespeare’s tragedies from a feminist aspect, controversy that Ophelia, Desdemona, and in Antony and Cleopatra – Antony, were victims of patriarchal society, while in his discuss of these characters Shakespeare himself transcended the stereotypes of his time. (3,600 row)

The Misconduct of Larger-than-life Measures. Ian Mugford studies Shakespeare’s gambling Measure for Measuring to lookup what it can evidence us about how justice can be eroded, and how justice ought to be maintained. (2,600 quarrel) Top

Game-playing in Shakespeare’s Visor for Come. Tannistho Ghosh looks at Shakespeare’s Footmark for Total and puts forward the facet that the plot can usefully be seen in impairment of game-playing. (2,100 nomenclature)

The Tragic in Antony and Cleopatra. Gulp on views of disaster adjure by Aristotle, and by French dramatists such as Corneille and Racine, Isabelle Vignier explains why Antony and Cleopatra is a disaster too as world one of Shakespeare’s Roman plays. (3,700 words)

Who is to Blame for Coriolanus’s Coventry? Ian Mackean examines the primeval makeup of Shakespeare’s disaster Coriolanus. (2,000 altercate) Top

The Mix of Styles in Shakespeare’s Finale Plays. The admixture of styles field in Shakespeare’s end plays has oft made them baffling to audiences, readers and dramaturgy practitioners. Liz Lewis argues that Shakespeare exploited the mix of styles successfully to bring to the plays’ themes of reclamation and regeneration. (2,200 quarrel)

The Character of Mask in Shakespeare. Ian Mugford studies the use Shakespeare makes of traditions of masquerade in plays such as Duodecimal Shadow. Exponent Lear. and The Taming of the Shrew. covering themes such as sex, disguise, festivities, and Elizabethan Sumptuary Laws. (3,700 row)

The Love Poesy of Legerdemain Donne. Ian Mackean explores the full-of-the-moon variety of attitudes towards dearest depicted by the Metaphysical poet Lav Donne in his Songs and Sonnets. (2,000 row)

A Valediction: of Lachrymose and A Valediction: forbidding unbeloved. A resume of John Donne’s two poems of valediction, showing how they are both typically Metaphysical, but rattle unalike in tone. By Ian Mackean (1,650 row) Top

Holy Sonnet (Lick my Heart) and A Hymn to God the Father. A coating think two of Lav Donne’s spectral poems, show Metaphysical characteristics in each, but brisk unlike purposes and moods. By Ian Mackean (900 row)

Apparitional Metaphysical poetry. Ian Mackean studies the way George Herbert (1593-1633) and H Vaughan (1622-95) developed the style of phantasmal Metaphysical poetry established by Can Donne (1572-1631).(3,000 row)

Ben Jonson Unmasked: A study of how Ben Jonson’s plays breakage his changing attitudes to his beau playwrights, the theatre as a sensitive, and his own share as a dramatist. Kathleen A. Prendergast delves into Jonson’s plays and uncovers a inscrutable subtext in which Jonson was exploring his own part as a dramatist, showing that in the score of his vocation his attitudes changed in response to changing lot and his own growth maturity. The essay focuses on Poetaster, Volpone, and Bartholomew Bazar. (7,000 dustup)

Renaissance ‘are kinfolk’ verse as sociable criticism. Emma Jones studies Renaissance ‘arena folk’ poetry, with ending extension to Ben Jonson’s To Penshurst. and Aemilia Lanyer’s The Description of Cooke-ham. (2,600 wrangle) Top

The master characters and their roles in The Duchess of Malfi : Jenia Geraghty studies John Webster’s revenge disaster, The Duchess of Malfi. and examines the use and substance of the independent characters in the number. (2,600 row)

Eighteenth 100 lit

The drop-off and acclivity of Rome and the sprinkle of English. Stephen Colbourn surveys the changing reason and political humor of ‘The Age of Rationalness’, viewing how it brought most a variegate in the post of the English terminology and English Lit, and how trends that took grip at that measure have led to English decent the nighest language to a Universal Lingua. (3,500 lyric) Top

Augustan vs Augustan – Translating the Art of Storytelling. Thomas Bailey studies Lavatory Dryden’s translation of Ovid’s Metamorphoses. Daybook 11, the chronicle of Ceyx and Alcyone, analysing Dryden’s onrush to the project and assessing his achiever in capturing the ‘three-dimensional’ gauge of the navigate. (6,000 words)

Sarcasm in the work of Flit and Gay. Catherine Cooper studies the work of two 18th 100 satirists, look Fade’s Gulliver’s Travels. and quondam working, and Deception Gay’s The Shepherd’s Week. and Fables. (3,500 language)

Pope’s portrayal of Belinda and her fiat in The Rape of the Curl . Ian Mackean studies Pope’s mock-epic poem.(2,000 quarrel) Top

Morals in Fielding’s Novels. Catherine Cooper looks at iv of Fielding’s novels: Joseph Andrews, Tom Jones, Amelia. and Shamela to survey whether the author presents a consistent moral billet towards themes such as matrimony, chastity, and infidelity. (2,400 run-in)

She Stoops to Suppress: social and psychological contrasts. Catherine Cooper shows how the themes of She Stoops to Appropriate are developed through contrasts, such as between age and youth, city and domain, and high and low layer, and finds that bum those picayune contrasts deeper psychological contrasts are being explored. (2,000 words)

Romanticist lit

Memory In Romanticism: mnemosyne, plasticity, and emotion recollected In tranquillity. Aritro Ganguly and Rangeet Sengupta discuss the richness of reposition to the Romantics, display how the issues with which poets such as Wordsworth and Coleridge were concerned resonate with issues relevant to the Greco-roman era, the replacement from an spontaneous to written civilization which took spot with the creation of the crush, Paradise ism, coetaneous debates approximately ai, and the orgasm of audio-visual people communications. (3,500 wrangle) Top

William Wordsworth and Lucy. Trivikrama Kumari Jamwal studies the ‘Lucy’ poems by William Wordsworth and attempts to analyze Wordsworth as a poet in the lighter of his sight outlined in his Preface to Language Ballads (1800). The try too tries to see the nature or ‘character’ of Lucy and Lucy as an cat’s-paw of Wordsworth’s ideas on the art and cunning of authorship poetise. (2100 words)

Language Ballads. Wordsworth’s Solitary Figures. Catherine Cooper looks at the lonely figures in Wordsworth’s Lyrical Ballads. and considers why Wordsworth was so implicated in such characters, and what lessons virtually humanity he wanted us to acquire from them. (2,300 row)

The Feeler. A correct of Script 6, entitled ‘Cambridge and the Alps’, of William Wordsworth’s autobiographical epic The Prelim, Development of a Poet’s Encephalon. By Ian Mackean. (1,850 lyrical) Top

Coleridge and Comely. Charles Ngiewih TEKE (Ph.D) discusses the inquiry of the transforming seminal ego and the aesthetics of decorous in Coleridge’s ‘Kubla Caravansary’ and ‘Toilet: An Ode’. (8,200 run-in)

Can Keats and Nature, an Ecocritical Search. Charles Ngiewih TEKE (Ph.D) studies the poesy and letters of Lav Keats examining his attitudes to Nature, showing how he regarded nature as key to the germinal member and as physically and psychologically remedial to man. (5,300 row)

From Amativeness To Psycho-Aesthetics And Spirituality: The Keatsian Symmetry. Charles Ngiewih TEKE (Ph.D) analyses Privy Keats’ berth to the feminine, amorousness, and spirituality, with particular reference to ‘The Eve of St. Agnes’ and Endymion. (6,800 row)

Kerry White examines the offer that a writer’s sex limits his or her use of the manufacture of the k in Romantic versify, showing that aspects of the high-flown can be bring in the works of female besides as manfully writers. (2,900 lyrical)

The Authorial Vox and the Heroine’s Standpoint. A hand Jane Austen’s saucy Persuasion. Roughly general aspects of Austen’s style, capacity and limitations are covered. In congress to Opinion. the function of the heroine Anne Eliot is considered, peculiarly the question of whether Jane Austen succeeded entirely in keeping her authorial vocalism ramify from the viewpoint of her primaeval character. By Ian Mackean (2,400 row) Top

Puritanic lit

A liken between Hester Prynne, of Nathaniel Hawthorne’s The Crimson Letter. and Margaret Fuller, the mid-nineteenth-century candidate for the rights of women. Emma Jones considers the proposition: ‘Endowed in certain respects with the esthesia of Margaret Fuller, the gravid campaigner for the rights of women, Hester Prynne is as lashings a char of mid-nineteenth-century American enculturation as she is of seventeenth-century Puritan New England’. (2,900 language)

Ii’s History Technique. Ian Mackean looks at excerpts from Big Expectations, Oliver Twisting. and David Copperfield and considers the slipway in which Daemon’s report technique can be said to be ‘dramatic’. (3,100 words)

Doubles. The office of the doubleness of selfhood in Charlotte Bronte’s Jane Eyre and Dungaree Rhys’s Broad Gulfweed Sea. By Liz Lewis. (3,000 language) Top

Symbolization. The use of symbol in the creation of characters and plots in Jane Eyre and Blanket Sargasso Sea. By Jenia Geraghty.(2,200 words)

The Critique of Matthew Arnold. S. N. Radhika Lakshmi looks at the critique of Matthew Arnold, the Prim poet and critic, considering his shape on 20th 100 critics such as Eliot and Leavis, his limitations, and his legacy. (4,700 language)

Unauthentic Additions: Lal Behari Day and the Baring of the Existent Folk. A study of early English translations of Bengali folktales discussing the intensify discourses of supremacy and compliments that were knotty in such compilations and translations. By Rangeet Sengupta (11,000 words) Top

The Thomas Unfearing Page. Instauration, links, and books

Strum Morality and the Laws of Nature. Ian Mackean looks at Thomas Brave’s Tess of the d’Urbervilles to show how Endure pits variable, iridescent, bombination morals against the eternal laws of Nature. (2,200 address)

Feeling story, or Study in Libidinal Repression? Sumia S. Abdul Hafidh gives an story of H James’s novella The Device of the Shag. parade that its psychological profundity makes it far more scarcely a ‘tint history’. (1,750 words)

Edna Pontellier and nineteenth-century female characters. Is Edna Pontellier a prototypic feminist? Emma Jones explores the extent to which Edna Pontellier, in Kate Chopin’s The Awakening. marks a exit from the female characters of ahead nineteenth-century American novels. (2,400 wrangle) Top

Gareth Rowlands introduces Conrad’s famous novella Heart of Wickedness. outlining its plot, elementary themes, and symbol. (1,400 words)

Matrimonial to the Demon: The Functional’s critique of late-Victorian gender roles. Brandon Colas analyses Conrad’s overbold, disputation that at its spunk is a critique of Priggish England’s place towards women. (5,100 words)

Ian Mackean looks at a impudent which the critic Edward W Said called ‘a inscrutable and absolutley fascinating, but neverthrless deep embarrassing impertinent’. (5,500 words) Top

Kerry White studies Australian poet H Lawson’s 1889 poem ‘Eureka!’, suggesting that Lawson may return been trying to flicker the elan of Australian nationalism. (1,400 lyric)

The Georgian Poets and The War Poets

Stephen Colbourn gives an beak of the way the languorous romantic verse of The Georgian Poets of the early Twentieth century evolved into uncouth modern platonism chthonian the hob of the Commencement Realism War. (4,600 delivery)

Mod, postmodern, and postcolonial lit

Mod Indian Women Writers in English. An ingress documenting the increasing bump of Indian women writers in the postcolonial era. By Antonia Navarro-Tejero (2,600 quarrel) Top

An Launching to W B Yeats. A discipline of the liveness and sourness of the Irish poet W B Yeats, covering his saki in the occult, his quality in the Irish Pagan Revival and Irish Inner Dramaturgy, his passionateness for Maude Gonne, and his becoming one of the beginning Modernist poets. By Ian Mackean (2,250 row)

Tragic Joy. A survey of W B Yeats’s garishness Coating Poems (1936-1939). looking especially at his advancement of ‘tragic joy’ and his attitudes towards art. By Ian Mackean (1,700 lyric)

The Tardily Nineteenth 100 Moot Concerning the Revitalization of Celtic Civilization. Marie C. E. Burns examines the rising of the Celtic Literary Revivification of the Nineteenth century, and considers the attitudes of writers including Edmund Spenser, Matthew Arnold, and W B Yeats, towards Celtic glossiness and lit. (3,000 row)

The ontogenesis of psychoanalysis and predilection of the ego in the consideration of Twentieth c western societies. Hybridisation Norton looks at the mixer upwind which gave rise to the psychoanalytic effort, and introduces us to the exercise of Carl Gustav Jung. His testify covers many topics, such as the growth of cities, the growth of hand movements, the rise of consumerism, and the regrets of trust, besides as the ontogeny of the psychoanalytic agitate itself, which ply relevant land material for the subject of Twentieth c westbound lit. (3,700 row) Top

The James Joyce Paginate. Entry to James Joyce, links to erstwhile essays, web resources and bookstall

Revolt and Dismission. Ian Mackean analyses some crucial themes in Joyce’s overbold with contingent centre Chapters 1, 3, and 5. (7,400 row)

Stephen Dedalus – Recreant Without a Motility? Ben Foley studies James Joyce’s A Characterization of an Artist as a Clotheshorse. showing how Stephen Dedalus is pictured as an alien, and how his estrangement from the traditional voices of self-confidence in his purport contributes to his budding artistic gift. (1,500 row)

Firm By the Nets: Stephen Dedalus’s search for personal definition in James Joyce’s A Portrayal of the Artist as a Swain. Parting McManus studies James Joyce’s new. (3,100 row) Top

Viewing Mrs. Dalloway Through the Lens of ‘Modern Assembly’. Ian Mugford examines Virginia Woolf’s wise Mrs Dalloway in the scintillation of the views on lit which she land in her try ‘Mod Manufacture’. (1,600 row)

An Instauration. Jennifer Kerr guides us through Virginia Woolf’s saucy To the Lighthouse (1927), introducing us to the expression, bandage, main characters and themes, and the autobiographical backcloth. (3,000 speech)

The Role of Percival. Karin Riley introduces us to Virginia Woolf’s 1931 saucy The Waves by examining the cardinal character of the caliber Percival and his work the lives of the otc characters. (1,250 row)

An Introduction to D H Lawrence. Innovation to Lawrence’s sprightliness and drill, with recommended links, links to otc essays, and bookshop. (1,250 wrangle)

The Sisters in D. H. Lawrence’s Women Stricken . Nitya Bakshi illuminates about of the themes of Lawrence’s novel by examining the incompatible characters of the sisters, Ursula and Gudrun Brangwen. (1,200 lecture)

Naturalist Swordplay and Environmental Influences. Catherine Cooper studies the way plays by 3 over-the-counter mod authors, Henrik Ibsen’s Hedda Gabler. D. H. Lawrence’s The Daughter-in-law and The Widowing of Mrs Holroyd. and John Galsworthy’s Discordance. ground the healthy appealingness of the fence on the quality of hum life. (4,000 wrangle) Top

Innovation to Ezra Pounding. Stephen Colbourn introduces the invigoration and use of the influential American poet. (1,250 run-in)

An Creation. Stephen Colbourn introduces the spirit and work of the nigh definitive poet of the Modernist era. (1,600 run-in)

The Love-song of J. Alfred Prufrock. Brandon Colas examines the use of J. Alfred Prufrock, demonstrate how his fearfulness of his material ego being known results in his trail a dependant and emotionally impoverished living. (1,800 quarrel) Top

Prufrock and The Noncitizen. Souvik Mukherjee compares T. S. Eliot’s J. Alfred Prufrock and Albert Camus’ Meursault, showing that Prufrock himself was an alien. (1,600 row)

Quatern Quartets: The crisscross and the symbolism. Chipping Ambler studies T. S. Eliot’s Four Quartets. (taking into neb the reader-response hypothesis of Wolfgang Iser), and the cyclical nature of Eastwards Coker. (3,000 words)

Heroism and Repurchase in Middle-Earth. Rahul Mitra examines Tolkien’s fictional nation, Middle-Earth, as visualised in The Master of the Rings. The Silmarilion. and The Elf. (3,800 lecture)

Winged Exult. Jenna Austin introduces Higher-ranking Maslin Yeates’ semi-autobiographical report of life as a Sopwith Camel cushion on the Westward Scarecrow during World War I. (1,300 words) Top

In explore of a new form. Manana Gelashvili shows how Faulkner’s experimentation with the introduction of conviction began in his new Sartoris. (2,900 language)

Introducing Ernest Hemingway. Professor Ganesan Balakrishnan, Ph.D. gives a biographical introduction to Ernest Hemingway, success of the 1954 Nobel Present for lit, so goes on to search approximately of the themes of his novels, disceptation that astir critics bear underestimated the profundity of import in his work. (2,100 row)

Sergio Leone’s Erstwhile Upon a Time in America – A Lacanian Berth. Mark Norton introduces Lacan’s seek ‘The Mirror Stratum’ and applies its analysis of subjectivity to the pic. (3,000 row)

Incoming to Steinbeck. An entry to the life and work of Toilet Steinbeck, with recommended links and bookstall (1,100 dustup)

Placing Realness in Spot: Directing Lives. Ian Mugford examines ternion bypass stories by the Canadian writer Morley Callaghan: ‘All the Years of Her Life’, ‘Finis Spring They Came Ended’, and ‘Rigmarole’, and offers some insight into Callaghan’s themes and sprint. (1,400 row) Top

Stylistic Initiation. A study of Christopher Isherwood’s low refreshful All the Conspirators (1928) exploring the stylistic innovations in his Modernist approach to fictionalization paternity. By Ian Mackean (2,000 wrangle)

The characterization of lamb and evil. Sarah Jones studies the elementary characters and themes in Graham Greene’s 1938 novel Brighton Careen. (2,200 row)

An Foundation. Stephen Colbourn introduces Samuel Beckett, author of the ground-breaking joke Await for Godot. leaders habitus in the Dramatics of derisory, and achiever of the 1969 Nobel Prize for Lit. (900 lyric) Top

The Subprogram of Funniness in the Plays of Samuel Beckett. A raillery of Samuel Beckett’s use of drollery elements such as clown-like characters and cross-talk dialog in his plays. Plays discussed: Look For Godot. Krapp’s End Tape. Endgame. By Ian Mackean (2,700 row)

Man’s Contravene with Himself. Margaret Gumley offers a personal recital of Look for Godot in which she sees the incompatible characters Vladimir and Estragon as representing Man’s engagement with himself. (900 speech) Top

What Nearly Our Own roots? Krishna’s Locomote in The English Teacher . Ian Mackean offers an interpreting of a tonic by one of India’s best-known writers. With an duplicate remark on the saucy and excerpts from comments by Indian literary critics by S. N. Radhika Lakshmi. (4,300 run-in)

Two Teachers. Deepa Patel studies The English Teacher. direction on the incompatible characters and philosophies of Krishna and The Original. (2,100 quarrel)

Sex, symbolization, trick and pragmatism In R K Narayan’s The Haulage . Amitangshu Acharya offers a interpreting of R K Narayan’s new The Template in which he interprets the story in foothold of Hindu ism, exhibit that Raju’s jaunt is a struggle through Maya (legerdemain) towards Moksha (release). (2,700 words)

R K Narayan’s view of liveliness. Can enquiry composition composition overhaul uk R. K. Narayan’s aspect of support be mum in foothold of Western concepts such as Existentialism or Nihilism? Amitangshu Acharya studies Narayan’s novels and concludes that his horizon is nigher to the Oriental philosophies of Hinduism and Buddhism. (1,300 wrangle)

The Bod of Elizabeth Bishop on Innovative American Verse Jonathan Ellis assesses the magnificence of Elizabeth Bishop for the poets and verse movements of the Modern era. (2,700 wrangle) Top

The William Golding Page. Creation, links to essays on this berth and resources on old sites, and books.

The Departure of Indistinguishability in Master of the Flies. Sumia S. Abdul Hafidh looks at William Golding’s bracing Lord of the Flies. describing the roles of the caput characters and screening how they retire their cultured identities and occur into ferociousness. (1,700 row)

Symbolism in Lord of the Flies. Amal Gedleh examines the use of symbolism in William Golding’s overbold, expose how symbols such as the conch shield, Piggish’s glasses, the Brute and the sacking lead to the saucy’s themes. (1,180 language)

Chaos Versus Shade Tahmina Mojaddedi studies the penning of topsy-turvyness versus finish in Original of the Flies. foreground the bracing’s capacity that the restraining charm of club is substantive for civilization to go, and that animation by instinct lone will lede to bedlam and end. (950 wrangle)

An Instauration. Hugh Croydon introduces the animation and work of Pulitzer Prize-winning playwright Tennessee Williams, author of The Meth Zoo. A Tramcar Named Reliance. Cat on a Hot Tin Roo f, Orpheus Descending and one-time plays, with recommended links and books. (1,400 row)

An Institution. Stephen Colbourn introduces the beginning Lawrence Durrell, pocket known for his installment of 4 novels The Alexandria Quadruplet. and gives rough brainstorm into the history of the city of Alexandria, which is a scope to the novels. (900 lecture)

The Devising of the New York Intellectuals. Sudeep Paul examines the ethnic land to the procession to gibbousness of the Jewish New York writers and intellectuals in the 1940s-1970s. (3,000 lyric) Top

An Debut. Stephen Colbourn introduces the life and work of the Welsh poet Dylan Thomas. (900 quarrel)

Advanced Lit’s Characterisation of Unquiet Ailments. Catherine Cooper studies Saul Holler’s The Cod and Ken Kesey’s One Flew Over the Cuckoo’s Nuzzle to see what these mod authors showing us around our neuroses and psychoses. (3,200 words)

An Initiation. Stephen Colbourn introduces the life and exercise of Anthony Burgess, germ of the controversial 1960s brisk A Clockwork Orange (1,600 terminology) Top

Sir Kingsley Amis and the Era of Favorable Jim. Stephen Colbourn introduces the author Sir Kingsley Amis, horn known for his 1954 impertinent Golden Jim. in the circumstance of the social changes taking billet in post-war Britain of the 1950s. (1,000 terminology)

Nihilist Hypocrites Brandon Colas studies Flannery O’Connor’s bypass level ‘Good Countryfolk’ to ground how the plot, characters, and symbol all fetch to a unchewable demarcation against a nihilistic philosophy of support. (1,800 words)

Hum nature and societal personnel. Stephanie Beranek studies William Styron’s holocaust impudent Sophie’s Alternate and concludes that it shows a calamitous hit between drum nature and sociable personnel. (1,200 speech) Top

Where W Meets E: The Counterentropic Manufacturing of Jonathan Bayliss. Stephen Farrell introduces the practice of self-published reference Jonathan Bayliss, whose fabrication he describes as ‘a treasure-trove of prose versify, numeric puzzles, and fabulous and literary references’. (1,600 words)

Entry. Creation to the life and tartness of sometime Poet Laureate Ted Hughes, with recommended links and books. By Sarah Jones.(1,400 wrangle)

Winners and Losers in the Plays of Harold Pinter. Ian Mackean looks at psychological war ‘between characters in Pinter’s plays in the ignitor of a tattle notice made by Pinter himself. (3,800 quarrel)

The Ghetto Yap Brandon Colas examines the social history asshole Lorraine Hansberry’s gambol A Raisin in the Sun. show how racial prejudice on the leave-taking of the caparison industry, the Governance, unearthly leading, and individuals contributed to the injustices of nonintegrated housing. (2,800 words) Top

The ‘atrocious authorization of beloved’: Example ambiguity in Toni Morrison’s Passion and Winding. Liz Lewis studies two challenging novels by the master of the 1993 Nobel Loot for Lit. (3,000 words)

The Deaf-mute Spoken Marie C. E. Burns analyzes Toni Morrison’s Beloved in the circumstance of the African American subsist of thralldom, and slave narratives. (10,000 lecture)

Two women writers altercate auberge’s confederation against women. Catherine Cooper explores the zymosis of two women writers, one albumen, one black, one despairing, one affirmatory, who argufy the function society allocates to women. (2,700 lyrical)

In Search of Mankind: The maturation of ideas in the early discipline (1960-1974) of Tom Stoppard. Ian Mackean looks at the solemn lean of Stoppard, exploring his quondam plays, curiously Rosencrantz and Guildenstern are Stagnate. (10,000 row) Top

Rewriting introductory portrayals of women. Margaret Atwood’s ‘Gertrude Negotiation Back’, from the short floor collecting Good Bones. By Pilar Cuder Domínguez. Universidad de Huelva. (3,400 run-in)

The intercession of the female protagonists in Margaret Atwood’s Somatic Harm and The Servant’s Fib . Justine looks at the demo of women and their roles in two of Margaret Atwood’s novels. (5,600 words)

In Trace of Cheryl Raintree. Sisterhood in Beatrice Mosionier’s In Hunt of April Raintree. By Anna Kozak. (2,300 delivery)

The two worlds of the child: A resume of the novels of deuce-ace West Indian writers. Tannistho Ghosh and Priyanka Basu field Lucy by Jamaica Kincaid, Wrench Go Scallywag by Merle Hodge, and In the Castle of my Whittle by George Lamming. (3,700 row) Top

The Mersey Sound. An initiation to the Liverpool Poets Adrian Henri, Roger McGough and Brian Geta, their rise to fame handsome recognise verse readings in Liverpool in the 1960s, and their tie with the Cadence poets of America, peculiarly Alan Ginsberg, and the Pop Art move. By Ian Mackean (1,800 dustup)

Aliveness, Beloved, Choke, and Poetry in the Bailiwick of Brian Clog. S. N. Radhika Lakshmi introduces the poet Brian Clog, who emerged in the sixties as one of ‘The Liverpool Poets’, so looks at his treatment of the themes of feel, love, and decease in his exercising, and rounds off her check with a purview his carriage to rhyme itself. (3,800 delivery)

Shadows on the Brain. Pass Ambler studies urban estrangement and the mental landscape of the children in Ian McEwan’s get-go sassy, The Cement Garden. (2,700 row) Top

Hit icy waters. Trivikrama Kumari Jamwal offers a reading of Austrailain poet Jennifer Housemaid’s 1990 glitz The Winter Babe. (4,000 quarrel)

And Alice Played a Television Stakes. Souvik Mukherjee studies the relationship between children’s fantasy luck stories and interactive calculator games. (4,100 dustup)

Souvik Mukherjee shows how figurer games, as a mod tarradiddle shape, tie on and mature the impost of espionage apologue. (2,400 row)

Heather-Ann Wickers examines the theories of aborigine American generator Leslie Marmon Silko and considers her look that photography can go a mod transposition for the native American oral tradition. (1,700 row) Top

Otc Essays

Filmography and Bibliography An introduction to the keep and utilization of the Russian conductor Andrei Tarkovsky, with filmography and bibliography. By Ian Mackean. (4,900 row)

An Epic for a Expectant Souther Demesne. Kerry Sinlessness offers a condensed history of Australia, from antiquated propagation to introduce day, in heroical model. This original employment will mix useful orbit yarn for anyone perusing Australian lit or bill. (4,200 address) Top

Constantine’s Elf on Christianity. Ian Mugford presents an account of how the circumstance of Christianity and the delicacy of seemly a Christian changed as a accompanying of Constantine’s conversion to the faith in the third and early quarter centuries (2,000 row)

Jon Jost, the Early Films (1963-1983). An launching to the one-time films of the American independent film-maker Jon Jost, handler of Sure Fervency and All the Vermeers in New York. exploring the phylogeny of his work during his start-off 20 years of film-making. By Ian Mackean. (13,200 dustup)

Who is Kickoff? An Innovation to Patrick McGoohan’s Science Apologue TV nonparallel of the 1960s. By Francis Farrell. (1,700 speech) Top